(Or,
Speak to Me)
A charity
water fact: 1
in 4 children in Africa die by the age of five from water-related disease.
Sara Megibow wants to save the lives
of these children during the 2012 Crits for Water campaign (run by her client) with the help of the online writing
community (read: you). Sara told me that she’s excited to help, so much so that
she’s donated a 30-page critique
to the cause (up for bid starting now: Monday, April 16th).
Meet Sara.
~~~
Sara
Megibow is an Associate Literary Agent at the Nelson Literary Agency.
The
Nelson Literary Agency specializes in representing young adult fiction,
romance
(all genres except category and inspirational), science fiction and fantasy,
commercial
and women’s fiction (including chick lit) and high concept literary fiction.
The
Nelson Literary Agency is a member of AAR, RWA, SFWA and SCBWI. Submission
guidelines
can be found here. Visit
Sara’s Publisher’s
Marketplace site to learn more
~~~
NAE: What is your favorite thing about writing a critique?
Sara: As an agent, I choose manuscripts
from the slush pile when they really speak to me. Yes, I do offer editorial
services to my clients, but my mantra in general is that I'm looking for books
to sell, not books to edit. So, if I review a manuscript that's great, but not
sell-able as is, I don't offer a critique and I pass on representation. That's
one difference between an agent and a critique group. However, when I do fall
in love with a book and start working with an author, then we talk about the
manuscript and I love the process of digging in to see how we can make the work
stronger. For me, my favorite part about writing the critique is when the book
is speaking to me, I feel connected to it, and there is something obvious that
I see and can point out to the writer to make it stronger.
NAE: Why is critiquing important?
Sara: For me,
critiquing is important because I am hoping that an author presents to me a
polished manuscript. When that happens, then I can offer representation and we
can go on to sell books, make money and woo readers. I love it when clients
tell me they are part of a strong and helpful critique group - it's a wonderful
asset to a writing career!
NAE: Your critique
style is like which of the following: Red Pen Editor, Overall Commenter,
Supportive Critic, You’ll Know It If I Catch It?
Sara: Good question!
Hmmmm….I guess I'd call myself a supportive critic. I tell my clients that
their books are always their art. I may have suggestions, but ultimately it's
their work and they can veto my suggestions. If I'm working with an author
already, then I do a ton of cheerleading. Lots of "great work" and
"you can do it."
NAE: What do your
clients tell you they most appreciate about your agenting style?
Sara: I tend to be
pretty chatty with my clients. They receive an email from me at least once a week
- with sales numbers, submissions updates, subsidiary rights updates, marketing
ideas, contract updates, etc. Many authors say it takes forever to hear back
and that's true. It's not because agents and editors are drinking martinis all
day (I wish), but because we're insanely busy. So, I try to keep my client list
small and be as communicative as possible. That's the one thing I can add to
this journey called publishing that I feel my clients appreciate.
NAE: Name one of your
favorite 2012 books that is coming out or already released.
Sara: I read an
advanced reader copy of KEEPING THE CASTLE by Patrice Kindl. It was absolutely
hilarious, very smart and one of the best books I've read in years! It's
basically a satire of a regency historical romance in which a young woman must
marry well in order to support her family, but the mysterious stranger acting
as her business liaison keeps getting in the way. I can't say enough good
things about this book - if you've ever read an historical romance novel or
want a truly unique and literary novel, this is it.
NAE: What specific
type/style of manuscript is on your Must Have list this season?
Sara: Excellent question! The answer isn't an easy
one though, so here we go...
Anything unique
and well-written. I know that feels like a cop-out, but it's the truth. I would
sign 10 more urban fantasy authors if the best manuscripts I saw this year were
urban fantasy. I don't shop by genre or sub-genre, but rather by quality of
writing. If I open a submission and fall head over heels in love, then that's
the book for me. I rep science fiction and fantasy of all sub-genres and for
all reading ages (except picture book or chapter book). I rep romance (all sub
genres except category and inspirational). And I rep young adult and middle
grade fiction. So, if it's in one of those categories, I will read the query
with relish. After the query stage, my decision is based on quality of writing.
This is why critiques help so much - the manuscript must be 99% polished in
order for me to offer representation. It's my job then to take it to 100%
polished before sending it to editors. Then, the editor will spend just as much
(if not more) time making it 101% polished so it can compete in the
marketplace.
~~~
Because Sara is so committed to the Crits for
Water campaign, this is her second year of participating. Check out her interview from the 2011 Crits for Water campaign here. Thank you, Sara, for this interview and for your dedication to this wonderful cause.
Do you think you have a unique,
well-written project to send Sara? Bid on her 30-page critique on Monday the
16th to see how much your work speaks to her. Good luck!
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